Showing posts with label Rob van Kranenburg. Show all posts
Showing posts with label Rob van Kranenburg. Show all posts

Eco Technologies - Sustainable Design or Design Sustainability?

Introduction to a proactive world where every citizen
can contribute using new forms of communication
with Rob Van Kranenburg (NL) & Usman Haque (UK)
Usman Haque is director Haque Design + Research Ltd (www.haque.co.uk), founder of Pachube.com and CEO of Connected Environments Ltd. He has created responsive environments, interactive installations, digital interface devices and mass-participation performances around the world

"What if through the Internet of Things we can create a layer of data, open to all, through which individuals can decide for themselves what they are willing to pay for, get direct feedback from their voluntary donations, coordinate community spending that has a direct bearing to ther needs through participatory budgetting, negotiate with other people in other parts of the world?"
Rob Van Kranenburg, founder of Council, a thinktank for the Internet of Things, (www.theinternetofthings.eu) and co-founder of Bricolabs, (bricolabs.net).




Also featuring an introduction to the Mai Kolachi project One Mile Square, by Amra Ali, Co-Editor of NuktaArt Magazine (http://www.nuktaartmag.com/Nukta/).
Wednesday 24th March,
6.30pm to 8.00pm
at The Second Floor Cafe, Karachi
T2F & Mauj Collective for Open Technology, Art & Culture
Rob Van Kranenburg and Usman Haq are also conducting a workshop (March 22-27) at the DAP-NEDUET City Campus.

The festival that was not to be

Reacting to the events at the Shanaakht festival,

For me personally it is clear that the contested image is unproductive and simply too easy a collage in terms of artistic work. For this I would if Iwere in any way responsible offer a public apology. In all nations, notonly in the East, freedom of speech is debated. In the country I was bornin, Holland - Geert Wilders is stretching his limits and the least we cansay is that does not lead to more cooperation, understanding and trustbetween people of different religions, stories and opinions.

In the West there are also clear boundaries to what can legally be said. The Holocaust is incontestable. If you belittle or deny that charges will be broughtagainst you.The fact that the artist and the head organizer responsible are takingthemselves ( perhaps rightly and certainly understandably) out of thepicture should signal that the persons who take responsibility now can notbe associated with the process of selection, curation, and exhibit.They are concerned with the violent, hostile and irresponsible reaction ofcertain parties that led to the organizers feeling they could no longerensure the safety of the hundreds of children, families, young students,foreign artists and participants in the festival.

It is very unfortunate that the reaction resulted in halting a veryimportant cultural event that people from all walks of life were reallyexcited about.For this reaction has only strenghtened the already global view that theworld has of Pakistan. Here we do not politely discuss (although there isa longer tradition then anywhere else in the Persian region of a realmulticulturalism), here we do not engage in dialogue and maybe first tryto understand the others point of view (although the strong and mightySufi tradition brought the very idea of a pragmatic dualism into theworld), no here we barge in with men and guns, big bullies shoving peopleaside. How brave on a family festival.And although I certainly do not want to belittle the understandable reaction to this picture, I do feel that if this picture had not been there, another one could (would?) have been singled out to give such offense so as to cause this rioting. Maybe there are certain parties who can not stand that people come together for a week through cultures andthe arts and simply have a good time? As if this is possible in thecurrent climate! And it was.

Their irresponsible behaviour has caused that people will stop to wonder very hard if they are again willing to invest so much energy into organizing something positive for all, free for all. What they have probably only contributed to is that artistic events will go undergroundand into the galleries available for an elite. It is very unfortunate as this picture which could have served as the perfect test case. We must for sure take into account that the artist is not Pakistan based but living inan iconic culture in which collages of this kind are being discussed as pure form, any reference to the real living people reduced to a tinysecond shock moment, because nothing in imagery ever seems to get throughto us anymore. I'm certain that had she known that this could have happened, she would have withdrawn it.

The best thing that could now happen is a real open discussion between the party workers that stormed in, the organizers, and the artists. Then the protesters can share their pain and sorrow, the organizers can explain their curatorial philosophy of anything goes as it is a gift, and the artist can express her righteous anger for having to have to live abroad and not being able to work in the counrty of her origin because of the violence and hardheadedness of men who do not want to give up theirpriviliges,

Rob van Kranenburg

Rob van Kranenburg was present at the Shanaakht festival during therioting. He had come to Karachi as a guest of Mauj and Nukta Art Magazine to host a workshop on new media criticism, sponsored by Mondriaan Foundation and ASEF.

Support for travel of Rob van Kranenburg & Suzanne Hogendoorn

The Mondriaan Foundation has supported travel of Rob Van Kranenburg and Suzanne Hogendoorn to Karachi, Pakistan in the month of April 2009.

The Asia-Europe Foundation is supporting logistic expenses occurring for events organised during Rob Van Kranenburg and Suzanne Hogendoorn's visit to Karachi, the events include:
  • Evening on Media and Activism, 7 April
  • Shanaakht Festival, 8-12 April
  • Writing Workshop on New Media Art, 10-11 April
The Goethe Institute, Karachi has supported Mauj by allowing their premises to be used for the Evening on Media and Activism on 7 April 2009.

T2F has agreed to share their space with Mauj during the Shanaakht Festival 2009, thus resulting in great ideas being explored by Mauj in the public domain.

Conference on Connecting Civil Societies III: an Asia-Europe Dialogue on Economy and Society, Beijing, 17-18 October 2008

Writing New Media Art | 10-11 Apr | Nukta & Mauj


Nukta Art Magazine and Mauj Collective
present a

Writing Workshop on
New Media Art
by Rob Van Kranenburg
10 & 11 April 2009, Karachi

identity, interactivity, networks. future trends, co-creation, resonance, the blurring of arts and design in the Internet of Things, the role of the artist in an ever more complex world full of radicalism - what does this mean for the disruptive qualities of art if disruption becomes the default?





by registration only.

inquiries: maujmail [at] googlegroups [dot] com

Media & Activism | Tue 07Apr | Goethe & Mauj


Invitation to an evening on
  media & activism 
07 April 2009
5:30 pm - 8:30 pm
Goethe Institute
2 Brunton Rd, Civil Lines, Karachi
(Brunton Rd is the lane next to CM House near the Sheraton)
Students, journalists, activists, artists, technologists 
& mediaworkers are especially invited. Please forward.
on facebook

+ + + +


Programme

Welcome by Goethe Institute
Introduction by Mauj Collective

On the Need of Bureaucracy: slowing things down in the age of acceleration
Rob van Kranenburg

'We will block you'  (documentary film)
Suzanne Hogendoorn & Mark Kulsdom

  [break]

Tracking the Long March
Awab Avi

Journalists will join in
Open discussion 

+ + + +


An evening on Media and Activism
Do media and activism always go together. How does an activist media fill the gaps. How do the new technologies fit in this picture. What does this increased access to information mean for our complex culture and society.
In a timely note Rob van Kranenburg observes the present age of acceleration. Concerning the role of the artist in an ever more complex world full of radicalism, he dares to ask: what
does this mean for the disruptive qualities of art if disruption becomes the default?
Suzanne Hogendoorn presents her film on European activists at the G8 Summit 2007.
Awab Alvi gives us a behind-the-web look at citizens covering the Long March in March 2009 using internet & cellphones.
We hope to involve journalists in the discussion. Open discussion will follow.
_________

Rob van Kranenburg graduated cum laude in Literary Theory at Tilburg University (Nl). He went to work with Prof Ronald Soetaert in Ghent, in the Educational Department, developing online learning modules, methods and concepts drawing on the idea of multiliteracies. In 2000 he went to Amsterdam to work as programmer on media education at the centre for culture and politics de Balie and as teacher-coordinator of the new media program in the Film and Television Studies Department at the University of Amsterdam. Feeling it was to young a field to predominantly historize it, he moved to Doors of Perception and co-programmed with John Thackara Doors 7, Flow, the design challenge of pervasive computing. In 2003 he mentored a postgraduate course in performance, theatre and the arts at APT, Arts Performance Theatrical. He has also been associated with The Virtual Platform (nl), the Waag Society (nl), Transmediale Festival (de) and Sarai (in).

Suzanne Hogendoorn is an international documentary filmmaker from The Netherlands. Her documentaries are usually associated with activism and have aired on channels such as Holland Doc. She is a member of the Mauj Collective and is making a documentary on the same. She made the documentary with Mark Kulsdom 

Awab Alvi is the most well-known blogger in Pakistan. He is also an activist and a practicing dentist. He has broken a number of stories to the media in the past and is an advocate of citizen journalism using the internet in particular. Awab's blog at http://teeth.com.pk/blog/ was selected the Best South Asian Blog for 2008
by the Brass Crescent Society Jury .

The Mauj Collective is engaged in art, technology and empowerment of people. It wants to introduce larger numbers of people in Pakistan to new media art. It wants to explore ways in which the interplay and interstices of art and technology are also socially engaging and empowering.

.. Making . .. Thinking . .. Cultural Tomorrow .. . ...

Rob van Kranenburg's texts for sessions at Transmediale.09.  
Yasir's interpretatons.    ... making dots..on email



Shift Break, Control

When it comes to climate change, many systems of control designed around
national borders break down: internationally restrictive trade processes
and systems of enforcement have little or power in the face of
desertification, mass flooding, forced migration and other social and
environmental disasters.

We face all of these, related to the snow capped moutains and glaciers in the north, Indus river system running north-south with dams, wide irrigation, sea-intrusion in the south. The pattern of the water in the river is now more chaotic, dry + flooding [!]. rain patterns as well in the baluchistan province - massive floods - incapability to warn or do disaster management - the army helped... the same in the earthquake of 2004.   economically there is protectionism and bank regulations which have provided buffer from the international financial-economic crises, but still financial inflows (remittances from people working abroad (middle east, US, UK), from exports to others) are affected as the global economy suffers. The domestic credit economy is small so that did not make a big difference, altho car/consumer sales/credit and housing suffered. for most people the problems are just lack of basic services which eats away on the whatever the income is. the informal sector is huge 50% also known as untaxed economy. there is food insecurity mostly due to govt mismanagement. 
The industrial and heavy technological
revolutions in 19th/20th century Europe and US contained a blindness to
the consequences of these developments.

Parallel things here form what are the govt's 'development programmes/projects' for the economy - large infrastructure projects (dams, etc) and 'industrialization' was the goal. This has really gone offtrack as there is little consultation with stakeholders even. Policy making is a joke. so the 'blindness' has been of 'criminal' proportions to the people. Class, kin structures rule the day - but there is unplanned social change ..
We now need new strategies to
prevent cultural, social and ethical collapse.

Totally agree. the initiatives cannot come from the top. reform is not possible. things are beyond repair. we need contructive public involvement / movement which leads change..    
Can scaling up local
initiatives help meet global challenges?

yes, some of them. we'll also need new ones. we need long-term thinking - which is totally absent [!!!] - govt's policymaking and momentum runs counter to any positive development - so we need many new models too.
What can we learn from models
that distribute insecurity as a default; such as those which are
improvised and informal in Lagos, New Delhi and Karachi?

self-management. monitoring. less reliance on outside entities such as govt - who basically want to put their own people in charge and hijack any good initiatives while destroying them - or to project themselves in their internal politics...

Long-term, research based thinking and initiatives - there are plenty of people who can lead, advise. the environment is seriously discourageing - that needs to be overcome to start...
 

Shift Break, Control, North

We live at a time when man believes himself fabulously capable of
creation, but he does not know what to create. Lord of all things, he is
not lord of himself.... Hence the strange combination of a sense of power
and a sense of insecurity.....  (from The Revolt of the Masses, 1930, José
Ortega Y Gasset

Yes. i agree. it has to do with agendas - state agendas, corporate agendas, research agendas, technological agendas - which are focused on themselves - not people oriented simply. in addition lack of general education  does 2 things: - there is little vision of what is possible, and reliance on oppressive default social structure because of insecurity, poverty.

Who is calling for a global fiscal 2pc world GPD boost to prevent global
depression? : "If we are not able to do that, then social unrest may
happen in many countries, including advanced economies.  We are facing an
unprecedented decline in output. All around the planet, the people have
reacted with feelings going from surprise to anger, and from anger to
fear." (22-12-2008, Telegraph.co.uk) Amazingly it is Dominique
Strauss-Kahn, heading IMF, in a full-blown reversal of decades of IMF
policy. Associated Press (22-12) contacted 21 US banks that have received
at least 1 billion with four questions:  "How much has been spent? What
was it spent on? How much is being held in savings, and what's the plan
for the rest?"  Not one bank gave a specific answer.

    :-)

Can we still argue from an institionalist point of view for solutions if
our major institutions have become part of the problem?

This is the main question that will be addressed. Claudia Kemfert will explain how for her
Klimaschutz ist der Wirtschaftsmotor der Zukunft (Climate change is the economic motor for the futute) – can still be the key engine of society.

in planning ahead with the available knowledge and resources this is a good idea for us as well. very very important - since we spend so much on oil-energy, even though our consumption is very low. we are also using old energy-wasting technologies and have old visions that are bad for us.

so as large infrastructure, probably yes. but planning should be inclusive, etc
Lorenz Petersen proposes a framework that takes an institutionalist perspective, focusing on the goods and services provided by natural resources rather than on the resource itself.

Part 1:
Discussion with Claudia Kemfert and Lorenz Petersen, chaired by Harald
Welzer Fri, 30.01. - 12:00

Shift Break, Control, South

We do not know what is happening to us, and this is precisely what is
happening to us, not to know what is happening to us: the man of today is
beginning to be disoriented with respect to himself, dépaysé, he is
outside of his country, thrown into a new circumstance that is like a
terra incognita. (1926)

We are all strangers in our own countries, facing uncertain future - literally in our case


The Gurgaon Workers News (Newsletter 15, December 2008) reports how
"after a fatal accident on the Commonwealth Games construction site more
than thousand building workers destroyed company offices, cars and
trucks." It goes so far as to suggest that the aggravating global crisis
imposes a new social framework for incidents like this: "the daily deaths
and legal murders become explosive. The cops shooting a fifteen year old
became the trigger of social unrest in Greece; the fatal accident of a
building worker sparked the simmering turmoil in Delhi."
Has this become our new political framework for agency: fatal accidents as
the new default?
Yet according to Binyavanga Wainaina, "the burning houses and the bloody
attacks here do not reflect primordial hatreds. They reflect the
manipulation of identity for political gain." If a cartoon in one country
can lead to the loss of lives in another, Atteqa Malik states, "then
policies should also be created to address issues that cross borders. All
stakeholders should be considered, inside and outside the country, before
policies are created to influence practice."

yes, this highlights to me : how people cope, self-manage - take things in their own hands
and also the need for inclusive policy, education-information-negotiation-implemenation-monitoring, pro-people policies, civil society oversight, etc.

the people i have been talking to (see earlier email re people from PK and IN) can provide more examples from their experiences, some of which came up in discussion and have not been documented.
 

Part 2:
Discussion with Atteqa Malik, Binyawanga Wainaina and Yasir Husain,
chaired by Harald Welzer
Fri, 30.01. - 15:00
Atteqa Malik
Binyawanga Wainaina
Yasir Husain

The aim of these two sessions is to transcend the opposition of
distributing security (North) and distributing insecurity (South) as the
political axioms that are and were born out of the ascension of the masses
onto the world stage. How can we retain the vitality of this coming of age
of millions to the world stage and not see this as a drawback of an
original position, but as the awakening of a radical new form of
conversation, "the socializing instrument par excellence", according to
José Ortega Y Gasset.


I agree. How can we....

ideas, information, technologies, medias, networks, social systems, examples, pilots, scaling up, partnerships, knowledge-exchange, interactions, developing the commons at local national regional global levels .....

the global climate change scenario throws us all together, as the parallel with Schmitt's 'absolute enemy' clearly indicates, yet what we find in Pakistan is that leaving aside local knowledge of how to do things (of crops for example), there is little awareness of the implications of climate change, or what it is - the issue is very far from people's daily lives - even though they may be the worst sufferers of it. The knowledge and awareness is simply absent - there is too much cynicism - our govt and our immediate problems have made us like this.

We at Mauj want to play a part in this, partner with others locally, across borders and internationally, pilot things, and see where things go. for example for a few years now, we are in the middle of a media and cellphone "explosion" (now every household has a cellphone) even though real functional literacy is barely 40 % - that is amazing,  rich in possibilities in working within non-literate oral cultures ... it has barely begun ...whether they are part of the global 'consumer-credit' economy via TV is being negotiated...  indigenous low-energy techniques in building is another area...  .. then there are the urban scenarios ... we have to learn to use the cellphone and urdu  sms tech. ..

~`~

What is New Media Art _ Arts Council _ Sun 23 Nov 4-7pm


The Mauj Collective for Open Technology, Art & Culture
is proud to present an evening of discussion
on New Media Art in Pakistan.

What is it? Where is it going? Who are the artists?

Come and hear a range of people speak about their work.
Learn about the ideas and work of the Mauj Collective.
Participate in discussion on future visions for New Media Art in Pakistan.
Date:          Sunday, 23rd November 2008
Time:          4pm to 7pm
Location:    Manzar Akbar Hall, Arts Council, Karachi
Speakers include:

Nilofur Farrukh_art critic, AICA, Nukta Art Magazine
Rob van Kranenburg_Bricolabs, Indonesia & the Netherlands
Shakil Awan_Senior Producer, Visual Content
& the Mauj Collective

Guests will include artists, art critics, art educationists, filmmakers, graphic artists, visual content developers, radio professionals, journalists, cultural operators and managers and those interested in talking and learning about New Media Art. A special guest filmmaker Suzanne Hogendoorn from the Netherlands will be with us to cover the event.

Refreshments will be served.

RSVP or for more info:
please call 03008294621, 03462024998
or email:    maujmail //at // googlegroups //dot// com